They don’t make ‘em like this anymore. See it larger at my photoblog, The Occasional Odd Crop.
This phone came with the house. It was sitting in the bathroom when we bought the place six years ago. It had probably sat there for decades - note the sticker on the base, the one with the pre-911 phone numbers for the police, fire department and paramedics.
When we sold the house last month, we took the phone with us. It doesn’t work, but Dani figures she can use it in an art piece. It’ll be fun to see what she does with it.

They don’t make ‘em like this anymore. See it larger at my photoblog, The Occasional Odd Crop.

This phone came with the house. It was sitting in the bathroom when we bought the place six years ago. It had probably sat there for decades - note the sticker on the base, the one with the pre-911 phone numbers for the police, fire department and paramedics.

When we sold the house last month, we took the phone with us. It doesn’t work, but Dani figures she can use it in an art piece. It’ll be fun to see what she does with it.

thedailyfeed:

Rodney Smith shoots only with film. He has never used Photoshop and goes to the post office almost every day to stay in touch with his family and friends.

Yes, Smith may appear old-fashioned — especially to his colleagues in the picture-taking business — but his sense of imagination and storytelling are anything but. The New York-based photographer insists that despite his analog approach, his process is very involved.

“My photos might look simple and well-composed,” Smith said, “but there is so much work that goes into them, and I’m often frustrated until I finally take the perfect shot.”

For more images, visit Smith’s website.

By Charlie Lieber

I’m ordinarily not a fan of set-up photos, but these are so beautiful and the result of so much detail work - in the field, not on a computer - that I can’t help admiring them.

(via armesphotography)

pathlost:

Alfred Stieglitz, From the Back Window, 1915
hettie:

wonderfulambiguity:
this photograph was part of the the Met’s early nigh time photography exhibition.

pathlost:

Alfred Stieglitz, From the Back Window, 1915

hettie:

wonderfulambiguity:

this photograph was part of the the Met’s early nigh time photography exhibition.

latimes:

In 1953, smog gets so bad in the shadow of City Hall that pedestrians carry rags to wipe away tears. Scientists began collecting smog particles in the 1950s to analyze what was causing the haze. The primary culprit turns out to be automobiles, not factories.
Photo: City Hall, merely across the street, is dim as Marion E. Lent gropes her way to work. Credit: R.L. Oliver / Los Angeles Times
Our Vintage Times series is presented on Tumblr with photography from the Los Angeles Times archives.

latimes:

In 1953, smog gets so bad in the shadow of City Hall that pedestrians carry rags to wipe away tears. Scientists began collecting smog particles in the 1950s to analyze what was causing the haze. The primary culprit turns out to be automobiles, not factories.

Photo: City Hall, merely across the street, is dim as Marion E. Lent gropes her way to work. Credit: R.L. Oliver / Los Angeles Times

Our Vintage Times series is presented on Tumblr with photography from the Los Angeles Times archives.

fierrodelamuerte:

Point Loma post office. 1934. Sweet car

fierrodelamuerte:

Point Loma post office. 1934. Sweet car

(Source: thenobelexperiment, via thisissandiego)

liquidnight:

Henri Cartier-Bresson
Banks of the river Seine
Paris, 1936
From Henri Cartier-Bresson: Scrapbook

liquidnight:

Henri Cartier-Bresson

Banks of the river Seine

Paris, 1936

From Henri Cartier-Bresson: Scrapbook